2891 SECONDS CD | MUZZART | JULY, 10 2010

Strasbourg gave us, in the past and more newly, of bands such Kat Onoma, for the first option, and Crocodiles for second, each in its own style.

Yeallow registers in it,  in a more conventional schema, but makes also proof of address in composition of one pop-rock which goes of the energetic (“Strange days”) to the most ingratiating (“Keep that morning feeling”), through at this beginning of album by a nice series of mid-tempi tied up well, following with an “Oversized” that remembers me The Stranglers with a good voice added with fine electric effects.

They touch lightly even the class of Rodolphe Burger and its acolytes the time of “Here Comes” whom I would have as my part seen well on “Cupid”, superb midnight blue album of Philippe Poirier and Co, or of  ”The Map”, in significant linked voices.

The start is of good manners (“After tomorrow”, made by refined and acidulous pop) and Yeallow, if it is hardly surprising, develops numerous good ideas, by being furthermore held in a certain simplicity in its compositions, expanded with correctness, without wrong additions.

We like ” If only “, for example, its low podgy and the fine guitars, or ” What will you do? “, endowed with solid melodies which supports hard riffs, and the whole is well held, wobbling only across a parallel style defect of which is to be already very played.

Yeallow puts right it by showing a laudable and measured eclecticism, devoting himself on “Supergliding” to a power-pop in ringing guitars of the nicest effect. “Call it desire” develops even a noisy, jerky woof, which supplements and gives energy to the panel of the guys from Alsace, before “Raindrops” makes a good melting of acoustic and electric guitars. The voice gives there really added strenghs.

Finally, it is “Your perfect existence”, put down, piano-voice at first then more mucked up, strong of a coating almost shoegaze, that puts an end, with elegance and in a relating torment, in a good album, without weaknesses nor swagger.

A band to be therefore followed, by waiting for lightly more individual and such a successful suite.

Written by  ”A good day for a trip” (translation)

(Blogger – He likes : experimental garage – Influences :Sonic Youth, Drive Blind, Sloy, les Thugs, Smashing Pumpkins, Portobello Bones, My Bloody Valentine, The Jesus and Mary Chain…)

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YEALLOW “2891 SECONDS | CD | CONTRE-CULTURE INFO | JUNE 30, 2010

By finishing this album with Jay Franco, the frenchies from Yeallow want definitely to go away from France.

Ambitious plan therefore for “2891 Seconds”  that starts with “After Tomorrow” and its charismatic voice added to a great melody. I find also a good energy, great sounds and wanted to discover the next track. “If Only” enters my head, I have to say that even a too clean sound borries me, Yeallow songs are very pleasant to listen to. We can appreciate “Strange Days”, “Oversized”, “Here Comes” and the sensibility of “Keep that morning feeling”.

When it becomes too calm, Yeallow comes to rock tracks as “Supergliding”, “Call it desire” and ends this album with piano and strange sounds.

I am really convinced by this album and, if this band wasn’t french, we would like it is, so appreciate before they leave…

by Guillaume Joubert

(translation)

http://www.contre-culture.info/article-yeallow-2891-seconds-53165045.html

http://www.ziknblog.com/2010/06/29/yeallow-nouvel-ablum-2891-seconds/

http://www.paperblog.fr/3380542/yeallow-2891-seconds/

http://www.rocknfrance.com/yeallow-2891-seconds-critique-album-f11945.php

CD News | Poly – culture magazine | summer 2010

The first album of the five from Strasbourg is square and lasts 2891 Seconds of pop-rock music. These five guys like the welldone things. Precise. During the tracks writing and the finishing (in New-York), Yeallow has an ear near Lou Reed and Bowie, its models.

Sometimes the guitars run but stay controlled as Fred C, Pascal and the others wanted to keep a “too full” (rage ?) of energy all along these 48.06 minutes.

By E.D.

(translation )

> 2891 Seconds, Try & Dye Records, www.yeallow.net.

2891 Seconds | Zicazic.com | June 12, 2010

A wellknow forum in France called Zicazic made its opinion about the “2891 Seconds” Album.

Yeallow by its new album is able to be one of the recognised worlwide band coming from France. Indeed, great sounds and songs are made to be hits.

Sometimes, the spirit from Pearl Jam, Radiohead, Bowie or Lou Reed are present but in a arty mix from the best of the past turned to the future.

We advise to listen to “2891 Seconds’”, this time will sure, convince you to be fan.

by Fred Delforges (quick translation)

ZICAZIC.COM Le Portail music indépendant au service de la music et de ses acteurs...

Yeallow New Album | ELLE magazine France | may 28, 2010

Culture News (translation)

By mastering its new album in New-York by Jay Franco (Sterling Sound), Yeallow wants clearly to be one of the top band in a rock music but welldone.

When we listen to 2891 Seconds, we enter in the five members’ mixed universe which has analogic and electronic sounds finding some roots near Bowie, Lou Reed and Radiohead.

Let you take away with this original mood during 12 tracks.

DNA news | Yeallow great first album | may 14, 2010

DNA is a daily powerful newspaper in the far east from France (translation).

The band Yeallow is coming from Strasbourg (Europe’s maintown). The deal : rock with great newyorker sounds and an arty universe.

It begins with a mystical mood but quickly turns into a pop-rock original spirit with elegance. Nervous guitars, dark universe, Yeallow holds its style .

An history made with classical music learning (piano and flute), friendship and history of life. The dream of a newborn project but in a high level…they mastered in New-York by Jay Franco, Sterling sound.

2891 Seconds sounds absolutely not like a first album, it’s near from the perfection Yeallow wanted for this album, and they say “made it seriously to respect the listenner”.

Anna Britz

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